“I was received into the church,” states Caryll Houselander at the very beginning of this work “when I was six years old. Strictly speaking, therefore, I am not a ‘cradle’ Catholic, but a rocking-horse Catholic.”
This autobiography, first published in 1955, takes the reader from the author’s Catholic childhood and school days through a period outside the church while she tried to make her living as an artist, to a return to the church. This return was brought about by her insight, so central to all her books into the presence of Christ and others.
A theologian in every sense of the word except the formal academic one, Caryll Houselander understood the central importance of one’s image or concept of God.
“Caryll Houselander: artist, odd ball, mystic, friend, and in the end, suffering servant. In the midst of her last illness, she clung to life, loved life with a passion that did not want to die. ‘I honestly long,’ she said, ‘to be told ‘a hundred percent cure’ and to return to this life and celebrate it with gramophone records, giggling and gin.’”—Mitch Finley, Our Sunday Visitor
As a classic in spirituality, the work of Caryll Houselander is very close to the top of the list.
