The three novels collected here all belong to the later years of the eighteenth century. The first represents what may be called the last stand of Augustanism before that riot of fancy and imagination, as exemplified by the other two tales, that ushered in the Romantic Revival. Thus in Rasselas we have Johnson, with the fortitude of Atlas, supporting the miseries of the world on his broad shoulders; Horace Walpole shutting us up in his Castle of Otranto, away from reality and all reasonableness; and Beckford, in Vathek, transporting us on his magic carpet to the court of the grandson of Haroun al Raschid, and thence to a region of perdition and eternal fire, where all memory of Augustanism is irretrievably lost.
