Four score and three issues ago this zine did not exist. Two score and three issues ago LCRW popped into being just like the big bang — but with less burning hot plasma and fewer planets forming. The formation included a twice-yearly space for fiction, poetry, and later, when the spinning slowed enough not to spill everything, a cooking column from Nicole Kimberling. Contributor Bios for LCRW 43: Alisa Alering lives in Indiana where she reports on innovations in science and technology. Her rather unscientific fiction has appeared in Podcastle, Clockwork Phoenix IV, and Flash Fiction Online, among others and has been recognized by the Italo Calvino Prize. She is currently at work on a novel about two sisters prepping for the apocalypse in 1980s Appalachia. Leah Bobet is a novelist, editor, and critic whose novels have won the Sunburst, Copper Cylinder, and Aurora Awards, been selected for the Ontario Library Association’s Best Bets program, and shortlisted for the Cybils and the Andre Norton Award. Her short fiction has appeared in multiple Year’s Best anthologies and been transformed into choral work, and is taught in high school and university classrooms in Canada, Australia, and the US. She is guest poetry editor for Reckoning: creative writing on environmental justice‘s 2021 issue. She lives in Toronto, where she makes jam, builds civic engagement spaces, and plants both tomatoes and trees. Visit her at leahbobet.com. Erica Clashe lives in Minneapolis with her cat, Ommie. She’s a professional gay auntie. This is her first published work. Find her at ericaclashe.com. Gillian Daniels writes, works, and haunts the streets of the Boston area in Massachusetts. She grew up in Cleveland, Ohio and left shortly after attending the 2011 Clarion Science Fiction and Fantasy Workshop. Since then, her poetry and short fiction have appeared in Strange Horizons, Apex Magazine, and Beneath Ceaseless Skies, among more than twenty-five other publications. She serves as custodian to one (1) ginger cat who likes to chew the corners of her books when she doesn’t feed him breakfast right away. Kathleen Jennings is a writer and illustrator based in Brisbane, Australia. Her Australian Gothic debut Flyaway (Tor.com) and her poetry debut Travelogues: Vignettes from Trains in Motion (Brain Jar Press) were published in 2020. She has won two Ditmars for her short stories and been shortlisted for the Eugie Foster Memorial Awards. As an illustrator (this story began as a series of pictures exhibited at Light Grey Art Lab, Minneapolis), she has been shortlisted four times for the World Fantasy Awards, as well as once for the Hugos and the Locus Awards, and has won several Ditmars. Jim Marino’s stories are published or forthcoming in Apex Magazine and the Alaska Quarterly Review, and his short humor has appeared on McSweeney’s Internet Tendency. He makes his living teaching Shakespeare. Zack Moss is a writer of weird fiction with an MFA from Western Washington University. His stories have appeared in Alimentum: the Literature of Food, The Crambo, and Zymbol, among a few others. Quinn Ramsay is a graduate of the University of Glasgow. His prose and poetry have been published in Paragraphiti, From Glasgow to Saturn, Santa Clara Review, The Magnolia Review, and Gemini, among others. He has been a recipient of the Amy M. Young Award in Creative Writing, and a co-editor and designer for Williwaw: an Anthology of the Marvellous. Jessy Randall’s poems, stories, and other things have appeared in Analog, Asimov’s, Lady Churchill’s Rosebud Wristlet, and Strange Horizons. Her most recent book is How to Tell If You Are Human: Diagram Poems. She is a librarian at Colorado College and her website is http://bit.ly/JessyRandall. Joanne Rixon lives in the shadow of an active volcano with a rescue chihuahua named after a dinosaur, and is an organizer with the North Seattle Science Fiction and Fantasy Writers Meetup. Her poetry has appeared in GlitterShip, her book reviews...
